Toggl Track vs Nexa The Real Comparison for Trailer Editors
Toggl Track
$12/mo ($144/yr)
VS
Nexa
$279 once — own forever
or 3 payments of $99
Break even: 23.3 months at Toggl Track's current price.
Does Toggl Track Fit Trailer Editors? Our Read
What trailer editors need from their software, from sources outside Toggl Track and outside Nexa:
Trailers need MPA Advertising Administration approval, and each trailer carries an approval band. Editors have to track which version each client needs and bill for re-cuts of the same trailer. Green-band trailers say 'The following preview has been approved to accompany this feature.' The online green card reads 'approved for appropriate audiences.' Red-band trailers are reserved for R and NC-17 films and may only play before R, NC-17 or unrated films. (en.wikipedia.org)
Trailer editors need to record and invoice by the day, because typical freelance editing pay is quoted as a day rate and rates are negotiated per job. A 2019 US survey of post-production workers found editor day rates averaged about $630 against $345 for assistant editors. Most editors earned $300-$600 a day. (jonnyelwyn.co.uk)
Many trailer editors are self-employed, so they need self-employment tax and quarterly estimated tax tracking. BLS reports about 35% of film and video editors were self-employed in 2025. It says motion picture work comes in bursts, with stretches of job searching between projects, and that freelancers submit bids and write contracts. Income therefore arrives unevenly, and each project needs its own bid and contract record. (bls.gov)
Freelance editors owe 15.3% self-employment tax (12.4% Social Security plus 2.9% Medicare) once net earnings reach $400. The IRS says they generally must make estimated payments on Form 1040-ES if they expect to owe $1,000 or more when filing. Irregular project income means these payments need to be planned around when clients pay. (irs.gov)
The publisher of this page makes Nexa, so read this knowing that. It is not a case for switching, and for trailer editors it lands closer to a draw. Toggl Track covers the time side well. It has project and client tracking, billable rates and invoicing, and reports that group hours by project or client. Its estimated-versus-actual view also shows whether a re-cut ran over. It runs on web, desktop and mobile, and has an API and integrations. A day rate can be handled as billable time on a project. Toggl Track's listed features include no bid or contract record, no field for a trailer's approval band or which client version it is, and no self-employment or quarterly estimated tax tracking. BLS reports about 35% of film and video editors were self-employed in 2025, and it describes work that arrives in bursts. That makes those gaps matter.
Nexa has estimates, quotes and proposals that convert to invoices, so each bid can become a billing record. Clients can pay by card through your own Stripe account. It also has jobs with costing and profit per job, built-in time tracking, expenses, profit and loss, cash flow and 1099 summaries. That gets closer to the bid-then-invoice cycle of uneven freelance income. It does not calculate the 15.3% self-employment tax or the quarterly estimated payments the IRS expects. It has no approval-band or client-version field, so you would track those in a job note or a naming convention of your own. It has no QuickBooks or Xero sync, no integration library, and no Google Calendar sync. It is software you own and run yourself, with no hosted support desk. Without the optional cloud sync it runs on one device. Any automated emails, such as reminders, send only while Nexa is open.
Over three years Toggl Track costs $432 ($144 a year at $12 a month). Nexa costs $279 once, or 3 payments of $99. With cloud sync at $4.99 a month it comes to $458.64 over three years. Nexa is cheaper only if you stay on one device. An editor who needs Toggl Track's integrations, API, automatic background tracking or multi-device timers should stay. An editor who wants bids, day-rate invoices and basic books in one place could reasonably try Nexa. Either way, neither tool covers estimated-tax planning or approval-band tracking. For that, use a self-employed tax and bookkeeping tool that sets aside money when each client pays.
Our read for trailer editors: Neither tool tracks self-employment and quarterly estimated tax or a trailer's approval band, so pair whichever you keep with a self-employed tax-planning tool.
Read on each linked page in October 2026. Check them again before you decide; vendors change plans often.
Bottom Line
Toggl Track costs trailer editors $144/year at today's list price. Nexa is $279 once for invoicing, scheduling, CRM, time tracking and accounting in one suite — so after 23.3 months it has cost less than Toggl Track, and you own it after that. What it is not: hosted-for-you software with a support desk and a roadmap you can lobby. That is the trade, and the rest of this page is the detail behind it.
Can it pay for itself?
Nexa is $279 once, about $23 a month over its first year. Its Drain Guard reads your expenses (from a linked bank, an imported statement, or ones you type in), finds the charges that repeat, and adds them up by the month. Keep or Cut then walks you through them one at a time. Cancel $23 a month of charges you'd forgotten about and Nexa has paid for itself inside the first year, before you count the Toggl Track bill you'd stop paying.
It depends on what you find and what you cancel, so we don't promise a number. In our demo data, Drain Guard finds 5 subscriptions adding up to $110.13 a month. That is sample data, not a customer's.
The verdict for trailer editors: Neither Toggl Track nor Nexa is the main system for this work; start with software built for it. Nexa only makes sense beside it, at $279 once against $432 for Toggl Track over three years.
Choose Nexa if:
You're done paying monthly forever
You're a solo operator or small team (1-5)
You need time tracker, invoicing and connect crm in one tool
You're tired of price increases
You want to own your tools like you own your equipment
Choose Toggl Track if:
You have a large team (10+) needing enterprise features
You're deeply invested in Toggl Track's specific workflow
You need a feature Nexa doesn't have yet
Sound Familiar?
You open the bay to a new round of notes, and they contradict each other: marketing wants more action up front, the director wants the emotional beat to land first, and the studio wants the title card sooner. You're cutting to a temp music track everyone loves, knowing it'll cost a fortune to clear and somebody will eventually ask why the final feels different. The craft is rhythm: building tension, timing the cut to the music's hits, finding the three frames that sell the whole film. You drop in placeholder titles in After Effects, rough a sound design pass, and send a new version for review. The feedback loop is brutal, a dozen rounds is normal, and the bid covered maybe four. Marketing decides the trailer drops Thursday no matter what, so you're staring down an overnight to lock it. Then come the cutdowns: the 2:30 is just the start, now they need a :60, a :30, a :15, and vertical versions for social, each a separate edit with its own pacing. You export, conform, and upload each, label every version, and update the project. By the end of the week you've made one trailer and seven deliverables, done fifteen rounds against a four-round bid, and pulled two all-nighters that billed as if they were nine-to-fives.
Trailer cuts go through endless rounds as the studio, the director, and marketing all weigh in with conflicting notes, far past the rounds the bid covered
Music licensing and trailer-music search eats hours, and clients assume the temp track they fell in love with is free to clear
Rush deadlines (the trailer drops with the campaign whether the cut is locked or not) mean overnight turnarounds that should bill at a premium but get treated as normal
Deliverable sprawl: a teaser, a 2:30 main trailer, a :60, a :30, a :15, vertical cuts for social, each as its own export and each treated as 'the same trailer'
Time tracking, invoicing, client records and scheduling are the pieces of that day. Some tools rent you each piece separately. A few — Nexa among them — bundle the lot and carry their own booking link, with no per-appointment cut. The sections below price both routes honestly.
None of that is a software problem you can buy your way out of in one click — it is why the tool you pick matters more than what it costs. Toggl Track solves some of it. So does Nexa. The difference is what you are left holding in three years.
What Toggl Track Actually Costs Trailer Editors
Today's list price is $12/month — $144 a year, from Toggl Track's own pricing page. Every figure below is that price, multiplied. Nothing is projected.
Three years at today's price
Year 1$144
Year 2$144
Year 3$144
Three years of Toggl Track$432
Nexa: $279 once (or 3 × $99). Over the same three years, that is $153 less.
If Toggl Track raises its price, the three-year cost goes up; if it cuts it, the cost comes down. We don't guess which. Add-ons, extra seats and card-processing fees are not included, on either side.
Feature-by-Feature
Feature
Toggl Track
Nexa
Invoicing
✗
✓
Scheduling
✗
✓
CRM
✗
✓
Time Tracking
✓
✓
Full Accounting
✗
✓ (SIMPL)
Task Management
✗
✓
Works offline
—
✓
Price
$12/mo
$279 once or 3 × $99
3-Year Total
$432
$279
You own it?
No — stop paying, lose access
Yes — forever
✓ and ✗ for Toggl Track come from its own published feature list. — means the feature isn't in that list, which is not the same as Toggl Track lacking it: check with them. Three years is at today's price.
What "$279 Once" Does And Doesn't Buy
It buys the software, not a service contract. You install Nexa and it runs on your machine. There is no seat count, and nothing stops working if you stop paying, because there is nothing to stop paying.
Toggl Track's monthly fee is not only rent. It pays for their hosting, their support desk, and their engineers shipping changes every week. If those matter to how you work, that is a real thing you would be giving up.
Cross-device sync is the one optional extra — $4.99/month if you want your data mirrored between machines. Skip it and Nexa still works; you just sync manually.
The honest risk of buying once: you are betting on us still being here to improve it. The honest risk of renting: the price is theirs to raise, and the graveyard section below is a record of tools that did exactly that.
What Toggl Track Does Better
Straight from Toggl Track's own feature set. If one of these is the reason you pay them, that reason does not disappear because Nexa is cheaper.
Simple time tracking
Desktop and mobile apps
Pomodoro timer
Project-based tracking
Good free tier
A free plan to start on (with limits), so you can use Toggl Track before paying anything.
Toggl Track is the better call if you need simple time tracking specifically, or if your team is large enough that per-seat pricing still beats buying software outright.
What Toggl Track Is Built For
Toggl Track's product page lists agencies and professional services teams, software and IT teams, law firms, and accounting and finance teams. It also names three sizes of customer: freelancers and solo users, growing teams, and large organizations. (toggl.com)
The product page lists cross-platform tracking on web, desktop (Windows, Mac), mobile (iOS, Android) and browser extensions. It also lists automated background tracking and a one-click timer. (toggl.com)
The product page lists timesheet and detailed time reports grouped by project, client or team. It also lists financial reports on project, client and team profitability, and estimated vs. actual time tracking. (toggl.com)
The product page lists billable rates, including 6-minute increments for law firms, and invoicing. (toggl.com)
The product page lists Boards, Gantt charts and a calendar planner. It also lists utilization and workload reports, and automatic planning around PTO and public holidays. (toggl.com)
The product page lists integrations with Jira, Asana, Notion and Slack, among others. It also lists an API and an MCP server, which can connect to Claude, Cursor and Codex. (toggl.com)
The pricing page shows a Free plan, with a stated limit of up to 3 users in its FAQ. Starter is $9 per user per month on annual billing, and Premium is $16 per user per month on annual billing. Enterprise is priced through sales. Paid plans and add-ons come with a 30-day trial. (toggl.com)
The product page says it does no screenshots, keystroke logging or webcam monitoring. It also states SOC Type 2 and ISO 27001 compliance and 99.99% uptime. It offers a free 30-day trial of all features with no credit card required. (toggl.com)
What people outside Toggl Track and outside Nexa say:
The Business Dive gives Toggl Track 4.4/5. It calls the interface "beautiful and straightforward" and says offline time tracking is supported. It also says the free version "includes all the basic features they need" for individuals and freelancers, and that invoicing is "quite valuable for agencies and consultancies." (thebusinessdive.com)
The Business Dive criticises the lack of GPS tracking, which it says rules Toggl Track out for construction, real estate and other location-dependent work. It also says "some advanced reporting and analytics tools are locked behind the more expensive plans." (thebusinessdive.com)
Read on each linked page in October 2026. Check them again before you decide; vendors change plans often.
Where business tools fit — for a trailer editor
Software doesn't do the creative work — it automates the business around it. And that part is the same for every trailer editor: find the work, manage it, bill for it, get paid. Each step has a tool — and the right single tool runs the whole loop, so the handoffs are automatic and you get back to the creative work. Tap a step to see what gets automated.
1
Find the work
Land the project
↓
An inquiry becomes a proposal becomes a signed project — with the scope and the deposit locked in.
CRM / contacts
Estimates & proposals
Booking / scheduling
then ↓
2
Manage the work
Do the work
↓
The work itself — tracked against the project: hours, milestones, revisions, and expenses, so nothing bills late or goes uncounted.
Job / project tracking
Time tracking
Expenses, materials & add-ons
then ↓
3
Bill for it
Send the bill
↓
The work becomes the invoice — the hours, the add-ons, the materials, the deposit credited — totaled and sent, instead of re-typed at 9pm.
Invoicing
Deposits & credits
then ↓
4
Get paid
Collect payment
↓
Paid by card or link, the deposit credited, and what's overdue chased — without you doing it by hand.
Card / online payments
Automatic reminders
You can stitch four separate subscriptions across these four steps, or run one tool that does the whole flow so a booking becomes a job becomes an invoice becomes a payment without re-typing. Either way the goal is the same: less time on the business of the business, more on the creative work. (Nexa is built to be the one — but the honest options for each step are above and below.)
Calculate Your Full Stack
Toggl Track plus whatever else you're paying for:
Email yourself this comparison?
Switching from Toggl Track
1
Export your data — Go to Reports → Detailed → Export as CSV. Download your full time entry history.
2
Set up Nexa — 10-minute setup. Import your client list by CSV, then set up your projects.
3
Start tracking in Nexa — Use Nexa time tracker for new entries. Import historical data if needed.
4
Cancel Toggl — Cancel subscription. Download a final export for your records.
✓ 30-day money-back guarantee. Zero risk.
What This Means for Trailer Editors
The median Trailer Editor earns $45,000/year. At $144/year, Toggl Track is a recurring slice of that — paid again every year, whether the year was good or not. Owning the same jobs outright is $279 once, and the slice stops.
Nexa is $279 once. Invoicing, scheduling, CRM, time tracking, accounting — all connected, built for trailer editors. You own it like you own your Adobe Premiere Pro or Avid Media Composer.
Is Nexa actually right for a trailer editor?
An honest fit check — because the wrong tool is worse than no tool.
Right for you if
You run solo or a small team — like the 25,000 trailer editors in the US who do, and you wear every hat.
You're tired of paying every month for a monthly subscription stack and a pile of apps that don't talk to each other.
You want invoicing, scheduling, and client tracking in one place — not scattered across five apps.
You'd rather own your software once, the way you own your Adobe Premiere Pro or Avid Media Composer.
Look elsewhere if
You have a large team that needs enterprise seats, granular roles, and dedicated admin staff — Nexa is built for solo and small operators (1–5), and a bigger platform will serve you better.
You need full payroll for a large team or deep, SKU-level inventory — that's not what Nexa is for.
You're genuinely happy paying monthly and don't mind stitching tools together. No tool fixes a workflow you already like.
The honest fit: if you're a solo or small trailer editors business that owns its tools and is sick of renting software, Nexa replaces your whole stack for $279 once. If you're scaling into a large team with dedicated admin staff, a bigger platform may fit better — and we'd rather tell you that now than sell you the wrong thing.
Time tracking, invoicing, client records and scheduling are the pieces of that day. Some tools rent you each piece separately. A few — Nexa among them — bundle the lot and carry their own booking link, with no per-appointment cut. The sections below price both routes honestly.
What trailer editors actually deal with
Trailer cuts go through endless rounds as the studio, the director, and marketing all weigh in with conflicting notes, far past the rounds the bid covered
Music licensing and trailer-music search eats hours, and clients assume the temp track they fell in love with is free to clear
Rush deadlines (the trailer drops with the campaign whether the cut is locked or not) mean overnight turnarounds that should bill at a premium but get treated as normal
Deliverable sprawl: a teaser, a 2:30 main trailer, a :60, a :30, a :15, vertical cuts for social, each as its own export and each treated as 'the same trailer'
A day in the life of a trailer editor
You open the bay to a new round of notes, and they contradict each other: marketing wants more action up front, the director wants the emotional beat to land first, and the studio wants the title card sooner. You're cutting to a temp music track everyone loves, knowing it'll cost a fortune to clear and somebody will eventually ask why the final feels different. The craft is rhythm: building tension, timing the cut to the music's hits, finding the three frames that sell the whole film. You drop in placeholder titles in After Effects, rough a sound design pass, and send a new version for review. The feedback loop is brutal, a dozen rounds is normal, and the bid covered maybe four. Marketing decides the trailer drops Thursday no matter what, so you're staring down an overnight to lock it. Then come the cutdowns: the 2:30 is just the start, now they need a :60, a :30, a :15, and vertical versions for social, each a separate edit with its own pacing. You export, conform, and upload each, label every version, and update the project. By the end of the week you've made one trailer and seven deliverables, done fifteen rounds against a four-round bid, and pulled two all-nighters that billed as if they were nine-to-fives.
The tools a working trailer editor actually owns
Adobe Premiere Pro or Avid Media Composer
DaVinci Resolve for grading and finishing
a fast workstation with a heavy GPU and RAID storage
a licensed music and SFX library (and a trailer-music supplier relationship)
a calibrated reference monitor and proper monitoring speakers
After Effects for title cards and motion graphics
Local trailer editors on Nexa
Real trailer editors near you who run their business on Nexa — book directly, no platform fee.
Are you a trailer editor? Post your business and get found in your area — $2.99 one-time.
Or browse every trailer editor on Nexa →
The kit a working trailer editor owns
The tools of the trade — each a one-time buy that earns its keep for years.
Adobe Premiere Pro or Avid Media Composer
DaVinci Resolve for grading and finishing
a fast workstation with a heavy GPU and RAID storage
a licensed music and SFX library (and a trailer-music supplier relationship)
a calibrated reference monitor and proper monitoring speakers
After Effects for title cards and motion graphics
You paid for these once because good tools last. That's the bar your software should clear too — priced like a tool you own, $279 once, not a subscription that costs more than your kit every year.
How To Read This Page
We make Nexa. It is one of the two options compared here, so read this with that in mind. We have tried to make Toggl Track's case the way we would want ours made — their strengths above are their own published feature list, not our summary of it.
The prices are Toggl Track's published list prices, checked on the date shown in the sources below. Plans change; check theirs before you decide.
No customer quotes appear on this page because we do not have any from trailer editors we can verify. For user testimony, read the independent reviews — Toggl Track on G2 and on Capterra — where the reviewers are not selling you anything.
Check the price yourself:Toggl Track's own pricing page is the source for every figure above, read on the date shown in the sources section below.
We are not neutral about subscriptions, and that is the argument, not a hidden assumption: software you pay for once is cheaper over three years than software you rent, unless you need something only the rented one does.
How we put this guide together
We build a trailer editor's guide the same way every time, and we'd rather you trust it than take it on faith. Nexa is our product, so the test we hold ourselves to is simple: a tool only "wins" a job here when it genuinely does that job better for a trailer editor — and where something free, open-source, or buy-once does it better, we say so and link you to it. Where Nexa falls short (payroll is the honest example), we name the alternative outright.
Where the numbers come from
Vendor pricingHoneyBook $432/yr, FreshBooks $516/yr, Toggl Track $144/yr, Harvest $132/yr — taken from each company's published plans, last verified September 2026. Pricing moves; each name above links straight to that vendor’s own pricing page so you can confirm it before you decide.
Income contextThe $45,000 median we cite for the typical trailer editor is occupational median annual pay from the U.S. Bureau of Labor Statistics (Occupational Employment & Wage Statistics), compiled April 2026. We use it only to show software spend as a share of real income — your own numbers will differ.
The field's own bodiesWe anchor what trailer editors actually need to the people who set the standards — Authors Guild. We don't speak for them; we point you to them so you can weigh this guide against the profession's own.
Three-year mathMulti-year totals are today's list price multiplied by the number of years. No price rise is projected, so the figure can be checked against the vendor's own pricing page; if they raise it, the real cost is higher.
Found something out of date? Prices change and we don't catch every move the day it happens. This guide is published and maintained by the Nexa team; if a figure here is wrong, tell us and we'll fix it — getting it right matters more to us than the sale.
FAQ
Is Nexa really a Toggl Track replacement?
For solo trailer editors and small teams, yes. invoicing, scheduling, CRM, time tracking, task management, and full accounting — all for $279 once. Toggl Track may be better if you have a large team (10+) or need enterprise-specific features.
What does Toggl Track do that Nexa doesn't?
Toggl Track has features like Simple time tracking and Desktop and mobile apps that some businesses rely on. For most solo trailer editors, these aren't dealbreakers.
How fast does Nexa pay for itself?
At $12/month, Nexa pays for itself in 23.3 months. After that: $144 saved every year.
Can I pay in installments?
Yes. Nexa is $279 as a one-time payment, or 3 payments of $99 ($297 total). Either way it's a one-time purchase — no subscription, no recurring fees ever.